Live and work in Taipei, Taiwan since 2016

C&G art group consists of artists Chieh-sen Chiu (Taiwanese, born 1986, Taoyuan, Taiwan) and Margot Guillemot (French, born 1993, Cork, Ireland). Though personal and collective works, it is an art creative team focused on merging digital imaging technology with the pattern of cultural development. Employing digital technology as the core basis of their artistic process, the team explores ways in which technology enters our daily lives, and applies this information into their process. How does one digitally reconstruct the possibilities of the urban landscape from intangible memories? 

由法國藝術家莫珊嵐 Margot Guillemot與台灣藝術家邱杰森所組成。

是一以數位影像科技與人 文脈絡進行結合的藝術創作團隊以數位科技作為創作的主要依據探討科技以何種方式介入常民生活並從中提取部分元素進行創作,探討如何從無形的記憶中以數位、地理圖、歷史文本等不同形式建構當代風景的可能性。最終,以在地性的人與景作為元素,深入探討新人類在科技之間交雜層疊的共活性。􏰇

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MARGOT GUILLEMOT 莫珊嵐

Margot Guillemot holds a MFA degree from the Beaux-arts of Montpellier in France. She dedicates herself to exploring the art-ness of contemporary digital technology, through which she reflects on the idea of “reality”.


By examining the fluidity of time, she uncovers the nature and condition of human life; it is the irrefutable time, the deepest layer of self, or a blurring of the “self” and “subject,” collectively formed into an argument on “being.” From the paradoxical relationship between perception and cognition, reality and virtual, space and time, Margot questions the idea of “reality” – is “reality” necessarily “real?”

莫珊嵐,生於愛爾蘭科克,生長於法國,現定居於台灣,就讀國立台灣藝術大學當代視覺文化博士班。2017年教育部臺灣獎學金獲選人、2016年畢業於法國蒙彼利埃地中海高等美術學院創作碩士。莫珊嵐致力於研究現代數位科技的藝術性,進而深入探討何謂「現實」?藉由審視時間的流動性揭示生命的本質與狀態:是無庸置疑的時間與最深層的自我(抑或是「自我」與「主體 」的模糊),共同形塑為對於「存在」的辯證。從感知與認知、現實與虛擬、以及空間與時間,藉其中矛盾的交互關係,她建構了對於「現實」的種種假設與質疑:「現實」是否即是「真實」?

CHIEHSEN CHIU 邱杰森

Chiu Chieh-Sen graduated from the Beaux-arts of Montpellier in 2016, he also holds a BFA degree from the National Taiwan University of Arts. He focuses on creating work that has to do with memory, spaces, and historical documents, and he transforms his subtle experiences regarding human footprints and thought processes into art, focusing on creating a record of the flow, imagination, and reproduction present in the relationships between people, objects, spaces, and environments. Due to the plurality of his experiences in contemporary art, traditional crafts, and historic architecture, he has in recent years been using artistic experiments that combine technological objects and materials to explore the possibilities of multidisciplinary integration between historic human footprints and art.

邱杰森,生於桃園市,現定居於台灣。2016年畢業於法國蒙彼利埃高等美術學院、2010年畢業於國立臺灣藝術大學古蹟藝術修護學系,輔修美術系。他專注於創作與記憶、空間和歷史文獻有關的作品,並將他對人類足跡和思維過程的微妙體驗轉化為藝術,專注於創造關係中存在的流動、想像和再現的記錄 人、物、空間和環境之間。 由於他在當代藝術、傳統工藝和歷史建築方面的豐富經驗,近年來他一直在通過結合技術對象和材料的藝術實驗來探索歷史人類足跡與藝術之間多學科融合的可能性。

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