「所有的直接存在，一切都轉化為一個表象。」——Guy-Ernest Debord 當代社會所面對的資本主義物化時代所建構的社會景觀之國度，在這新的歷史斷代裡，整個社會生活顯示為一種巨大的景觀的積累。景觀社會，人與自然關係發生斷裂；自然也成為人們休閒時光的消費載體。而隨著數位技術的開展，當代景觀發生了扭曲，真實與現實間的關係越見模糊。
本次展覽是由VT第四屆OPEN CALL獲選藝術團隊─森嵐工作方圖展出，他們為了重新調動對於可視與不可視的領域（疆界、疆域）所建構的身體感知，並建構景觀與數位之於人之間所產生的身體對應關係，開始進行了一系列「風景再製」創作。
此創作計畫，森嵐工作方圖與工業技術研究院合作，讓藝術與科技的橋接能更加觸碰到計畫的核心，是關於生存環境的重新探尋。同時討論當下我們以何種方式建構的當代「山水」（地景）與人之間的關係。展出作品以多媒材的方式呈現讓藝術創作轉化成一種的景觀，並且讓城市與人內、外有所愛，內有所持；當觀眾與作品交會的瞬間，也開啟了另一層對周遭環境的認識，而作品就是在這徒步與觀察、沈思的沉澱與展現。
【I/O Landscape】
Exhibition Date:20,July-10,Aug,2019
Opening Reception：20,July,2019 (Sat.) 18:00-20:00
Artists：C&G Art Group (Chieh-sen Chiu, Margot Guillemot)
Reception Guest Speaker：National Taiwan University of Arts, Head of the Department of Art, Chen Kuang-Yi。Art Critic, Lecturer at National Taiwan University of Arts, Wang Sheng-Huang.
Art and Technology (Industrial Technology Research Institute) ：03,Aug (Sat.) 15:00-17:00
Moderator：Hsiang-Lan Shih
Participants：Artist Chiu Chieh-Sen, Artist Margot Guillemot, PhD in Philosophy at Université Jean-Moulin-Lyon-III, France Professor Shih-Wei Tsai, Vital Sensing and Art Creation Lab Director Hong-Dun Lin, Automation and New Media Lab Researcher Lee Chun-Ting，Researcher Hank Wang
Exhibition Location：VT Art Salon B1, No.17, Ln.56, Sec. 3, Xinsheng N. Rd, Taipei City 104, Taiwan
“Everything that was directly lived has moved away into a representation.” Guy-Ernest Debord
In this era of capitalism materialization, the current society will have to face the territory of spectacle society that it has built. In this new division in history, the social life is an accumulation of spectacles. A society of spectacle, the relationship between human and nature begins to break. Nature becomes a medium for human leisure. With the advancement of digital technology, contemporary spectacle begins to disorientate. The relationship between reality and truth grows unclear.
This exhibition is held by C&G Art Group. The art group selected from the fourth annual VT Open Call. In order to find new borders in the territories of the seen and also the unseen, they created different body perception. Connecting a bridge from the spectacle and the digital to the corresponding body relationship. This was the beginning of a new series of projects called “Remake Landscape”. C&G Art Group cooperated with the Industrial Technology Research Institute to complete this project. Combining art with technology has the potential to fully express the project’s core motive, which is to rediscover the survival environment. Discussing how we would build the relationship between people and modern “landscape”. This exhibition is presented through multimedia. It has the ability to transfer art into a spectacle. Allowing people to bring to the city the aesthetics of life and continuously persisting on adding it to the city. The moment that the audiences lay eyes on it, it opens up a new layer of understanding to their surroundings. This is where it lingers and observes. It ponders, refreshes and reveals.
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開幕座談
時間｜2019/07/20(六) 18:00-20:00
座談來賓｜國立臺灣藝術大學 美術學院院長／陳貺怡博士 藝評家、國立台北藝術大學美術學系兼任講師／王聖閎 老師。
藝術與科技座談（工業技術研究院）
時間｜2019/08/03(六) 15:00-17:00
主持人｜施香蘭
與談人｜法國里昂第三大學哲學博士／蔡士瑋 教授 身體感知創藝實驗室／林宏墩 組長 自動化與新媒體實驗室／李俊霆 研究員、王裕涵 研究員。
